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espace corps mouvement
8 mai 2009

Group C

The main idea is to have a sponge room, which absorb human traces and feelings.

Material and immaterial traces: emotions, objects, actions, smell, etc.

The room is empty and the interior is the traces in the room.

The connection between the characters is their traces.

The traces can be erased or conserved, and the room can be full of feelings or empty. The inhabitant have the choice to decide the future aspect of the room: it's the idea of evolution.

The inhabitants can find the clues of different stories. When you are in this place, you can feel the old emotions, actions and you can read it through the room.

In this room, travellers will leave traces. The melody of a musician, the silence of a wandering woman, the despair of John, the habits of a secret agent or the complex personality of Robert, still living in the room during their absence.

Prints of the presence are clues of a story after the disappearance.

The geometry in the space is variable, depending on the needs of each character.

The room is regenerating like a skin

Question of the degree of erasing.

Are the layers of traces preserved ore erased?

A minimalistic room will make the idea stronger.

Chalk supports the concept because the traces can be erased, but still sticks to your body like white dust.

Outside the room the dust will follow the visitor and interact by marking other spaces,  people and objects.

Other materials to work with: sand, glas, sounds, smells, light ...

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